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Theresa Ruth Howard Dancer/Writer/Teacher Theresa Ruth Howard began her professional dance career with the Philadelphia Civic Ballet Company at the age of twelve. Later she joined the Dance Theatre of Harlem where she had the opportunity to travel extensively throughout the United States, Europe and Africa. She has worked with choreographer Donald Byrd as a soloist in his staging of New York City Opera's Carmina Burana, his critically acclaimed Harlem Nutcracker, as well as the controversial domestic violence work The Beast. She was invited to be a guest artist with Complexions: A Concept in their 10th anniversary season. In 2004 she became a founding member of Armitage Gone! Dance. As a writer Ms. Howard has contributed to Russell Simmons’ One World magazine (art), and The Source (social politics), as well as Pointe and Dance Magazine. While teaching in Italy for the International Dance Association she was asked to become a contributor for the premiere Italian dance magazine Expressions. Her engaging, no nonsense writing style caught the eye of both the readers of Dance Magazine and its Editor in Chief who not only made her a contributing editor and has collaborated with Ms. Howard in See and Say Web-reviews. Her articles about body image prompted her to develop a workshop for young adult (dancers and non-dancers) My Body My Image that addresses their perceptions both positive and negative about their bodies and endeavoring to bring them closer to a place of Acceptance and Appreciation. She recently launched a blog by the same name to reach a broader audience (mybodymyimage.com) As a teacher Ms. Howard has been an Artist in Residence at Hollins University in and New Haven University in addition to teaching at Sarah Lawrence College, Marymount, Shenandoah, and Radford Universities, and the historical American Dance Festival. As a result of her work at ADF Ms. Howard was invited to Sochi, Russia to adjudicate the arts competition Expectations of Europe and teach master classes, and in Burundi, Africa where she coached and taught the Burundi Dance Company. Currently she on faculty at The Ailey School but also extensively throughout Italy and Canada. Ms. Howard's belief in the development, and nurturing of children lead her to work with at risk youth. At the Jacob Riis Settlement House in Queensbridge New York, she founded S.I.S.T.A (Socially Intelligent Sisters Taking Action) a mentoring program for teen-age girls where she worked to empower them to become the creators of their destinies. In addition she developed a dance program, which lead to an exchange with the Dance Theatre of Harlem. Through her teaching and travels Ms. Howard began to observe a universal disenchantment and disconnection in teenagers that disturbed her, thus she set out to address it. Combining her philosophies of life and teaching, with the skills she garnered through outreach programs with diverse communities, she developed the personal development workshop Principles of Engagement: Connecting Youth to the Infinite Possibilities Within which gives teens a set of workable tools to increase their levels of success at tasks, and goals not only in dance, and all aspect of their lives. Theresa Ruth Howard is certainly diverse and multifaceted as an artist, and is moved to both write and create work; however she sees every student she encounters as a work in progress, and the potential to change the world one person at a time. The only was to make this world a better place it to be better people in it!

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Let the Nudity ..I mean the GAMES Begin!

As predicted the skin baring has begun. I called it a few weeks ago in my post asking “Will the Olympics Bring a New Standard of Body Image?” It’s not like I’m Nostradamus or something it’s just the way the media functions. We carry the idea that if you have a “Hot Body” you are somehow in a way obligated to show it. I HATE that mentality. It irritates me to know ends when when the likes of  Guiliana Rancic and Kelly Osborne say that crap on Fashion Police, “She’s Yoooung she has a beautiful body, she should shoooow it” I think it’s so reducing, and sexist. No one ever says that men with hot bodies should walk around in hot pants with see through shirts, in fact that would be considered tacky and cheesy. I don’t know if this mentality it’s out of appreciation, or envy inducement, more likely it’s to get the dollar dollars Branding by Buns!
I have to say that I think that the human body alone is a work of art, and when (tastefully) photographed it can truly illustrate its majesty. Personally I have done my share..That having been stated, There are times when, even when the photos are “works of art” I still have to ask why? Is this truly appreciation or exploitation? Take a look at some of these pic that have come out so far and tell me what you think.
ESPN Magazine, the U.S. Women’s Indoor Volleyball Team
olympic_basketball

Tyson Chandler — New York Knicks Center

Photo: Via ESPN

olympic_sailing

Anna Tunnicliffe — Sailing Team, USA

(This I love because it shows how her body looks when she is doing what she does! Love this! Awesome)

Photo: Via ESPN

British skier Gregor Tait took it off for Powerade advertisements shot by photographer Nadav Kander. It’s nice to see that male Olympians are willing to share their adorable behinds with us.

(The same here, this is how we understand why their bodies look the way they do!)

NOW these next ones personally make my teeth itch, WTF! I abhor this Snow Bunny look. These women are strong and powerful they race down mountains at amazing speeds, and here they are lounging and looking helplessly alluring, please! I would have preferred if they had them in bikinis and skiing or snowboarding with abs and quads popping, now THAT would be HOT right now they just look cold!

U.S. Olympic snowboarder Hannah Teter got a gold medal in the 2006 half pipe competition and is featured in the Sports Illustrated swimsuit issue. But more importantly, she’s got her own Ben & Jerry’s flavor called Hannah Teter’s Maple Blondie. So jealous!

Twenty-two-year-old Colorado Olympic snowboarder Clair Bidez took some of it off for this winter’s Sports Illustrated swimsuit issue. She looks cold.

U.S. Olympic aerial skier Lacy Schnoor from Salt Lake City joined the ladies in the Swimsuit Illustrated swimsuit issue

 

No worries there will be more more to come…ugh!

 

And Now in Stupid Parenting News…Mother Urges 14 yr old Daughter to get Breast Job

When Will It Stop?

britney marshall boobs“At the moment she doesn’t really have what I would say are boobs — but I’d like her to follow in her sisters’ footsteps… I really love the fake look of my girls and I know Britney will go that way when she’s a bit older.”

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Bras, braces, makeup are all rites of passage for many teen girls. But if you’re a member of the Marshall family, so are boob jobs.

Britney Marshall, a 14-year-old from Nottinghamshire, England, is the youngest girl of the Marshall family and the only one without breast implants. Her mother, Chantal Marshall, told the Sun, “Britney is going through a funny phase at the moment and saying she doesn’t want to get her boobs done.”

*Smart Girl!

Chantal and her four other daughters collectively own £50,000 worth of fake breasts, with sizes ranging from 32DD (21-year-old Ripley) to 34HH (27-year-old Terri). But Britney’s au naturel… for now. The “brainy” one of the family, Britney told the Sun, “Maybe I’ll decide to get them too and start saving in a few years. But for now I want to focus on my school work.”

That crazy girl. For what it’s worth, it seems Britney’s brothers provide an alternative perspective on the matter. According to the Daily Mail, Chantal Marshall admitted, “Some of my sons think we’re crazy… They keep telling Britney she should be different.”

continue (if you can stomach it)

Seriously you should have to take a test and have a license to breed! Is this child abuse?

Serena Wins Twice At Wimbleton!!!

As I watched Serena Williams in the Women’s final yesterday, it was hard to tell that just a year ago she had almost lost her life due to a blood clot after foot surgery. Her strength of both body and mind, and her skill at placing the ball at impossible angles belied the fact that a short while ago living was the best she could hope for, forget playing tennis and forget winning a Major. Just 2 weeks ago at the French Open she lost in the first round. The tennis world was stunned, and I am sure the other players were relieved at not having to go through her to get to the title. Much ado has been made about Serena and Venus not only for their race and body type (Serena) but for their unconventional approach to the sport. Throughout their careers both have played far less tennis than other top players. In fact, during their heyday when they dominated the sport they played half the tournaments as their counterparts, with better results. They were admonished by their elder sportsmen for “not taking it as seriously as they should”. They were not the single minded, myopic players of old. Instead they chose (at their parents urging) to pursue higher education (academic, fashion and beauty) started clothing lines, an interior design company (V Starr interior Design, Eleven) and even acting, and not only became personalities on the court, but off the court as well. Their “Tennis is not my life” (or not my WHOLE life) attitude rankled people because never before a player, let alone two players (siblings) had such a seemingly laissez faire approach to the sport and still managed to win. If in fact they were not so successful it might not have been an issue, but it seemed a slap in the face to those who had to work 3 times as hard to be a strong and acquire the stamina to keep up and try to bet them. They changed the Women’s game, upping the ante with serves at 140mph equal and better then some of the male players (Ivo Karlovic holds the male top serve at 155mph) . In their early days their success was all chalked up to their brute strength, and that did have a lot to so with it. They out muscled most of the other players but the way commentators talked about them made them sound like beasts (black beaded beasts) little was ever said about their skill, when they won it was because they steamrolled over their opponents.In the late 90’s when they began to put pressure on Martina Hingis (at the time the number one seed), commentators spoke of her game in terms of  skill and intelligence, her angles and how she forced her opponent to make errors. When the Williams sisters started to beat her they made it sound like they were Goliath and stomped her down with brute force. Little was ever said about the fact that along with the power, they actually knew  how to do more that whack balls to the other end of the court. True they had a lot to learn, but to was a reduction, and easy excuse, and it seemed (perhaps because I am Black, and American, and there is a history of racism in this country that I am sensitive to) like there were subtle implications to racial genetics….

Then tragedy struck and kept striking, the death of their sister, injury, their parents divorce, illness- tragedy both emotional, spiritual and physical leveled the playing field. It not only took their bodies out of the game it took their minds, their hearts away. Others began to win. I am of the opinion that in times of crisis when things are out of control it is human nature to go back to a place, a thing that grounds you, a thing that you have power over. This is the root of most eating disorders, it’s not about weight per se but about controlling the body by controlling what goes into (or out of) it. This is what Tennis seemed to be for the sisters. Something familiar, something they could control, direct, something that made them feel powerful, it was home. Whenever they emerged from a “life hit” they went back to the courts with a new found focus and determination and when they showed up, they would win. This fortitude was the thing that gained a deeper respect from the Tennis world. After they had been proven to be beatable (albeit with a handicap) but their ability to dive in and comeback made their winning palpable. When they came back they would talk about their love for the game, and how they were completely focused on it and winning, and that is what the Tennis world wanted to hear, utter devotion to the Sport. All or nothing, titles were earned not by just what you did on the court, but by how you lived your life…dedicated to the game…

Serena has always been the more controversial of the two, the baby, spoiled and self centered. She had the freedom to act out in ways Venus could not. Venus was the example, she is tempered and levelheaded, careful with her words and attitude. She is not flashy or arrogant, she is the smoother, protector…(but I have a feeling that behind closed doors she too has a lot to say). Serena on the other hand will let folks have it! She doesn’t care who you are she will go in, on the press, commentators, and yes infamously umpires. Although sometimes I think she goes a bit too far, I have to say that when she does give a flippant response, or shows her irritation, (often at herself) I get it, it might not be “right” or “courteous” but it is authentic, it is human. No one can image the stress that it takes to be in those situations and one of the only, and having the pressure to be a “perfect representation” of not only a “Sportsman” but an African American. Sometimes you just want to be you. And like a pro, she as taken her lumps from it. She was banded from the US Open and fined several times and she is learning (hopefully).
(here she is talking about not being ranked #1 after winning 3 majors…around 1:00)it may be wrong but you know what she’s saying…

I was moved to see a more sensitive and vulnerable side of her after her Singles win at Wimbleton. It was only then that I was reminded of how far she had come to hold that silver plate. There is a great sweetness about her, a tenderness, you can see the “baby” in her, but there is also the other side of the coin and she gets slammed for it in a way that McEnroe never was. He was a major arrogant ass and people…not so much loved him for it, but they accepted it, they expected it. In fact I can remember watching matches and waiting, almost hoping there was a bad call so I could see him blow up. But then again he is a man…

The thing that I think people never take into consideration is what these two women of color had to endure (thank god they had each other). Where they were not the first to arrive (Althea Gibson, Zina Garrison) they were the first to dominate, and at a very young age. The isolation that Venus must have felt being the only before her sister joined her and became a force must have been unbearable. One can only image the snide comments made under people’s breaths, the tension in the locker rooms, and the pressure of “representing” your whole race with a racket Do you recall when McEnroe challenging them to a grudge match in 2000? What was that about? Why was he so mad at two little girls?

And never once did they speak a bad word about anyone, and not until they were adults did they start to be more expressive Serena more so, Venus is ever the diplomat. You can say what you want about their Father Richard Williams, but he and Oracene raised those girls right! You can call him crazy, arrogant, or foolish, but he ain’t never lied! He said they would be number 1 and they were, he said they would dominate the sport and they did, and in the early days when he spouted off at the mouth, his daughters said little to nothing. Their job was to play, his to protect. And maybe that was the plan, he laid down cover fire so that they could make their way, he was their voice… I don’t know that’s what I image….

In a post celebratory glow I was hunting for clips and came across this 2008 video of Andy Roddick imitating both Serena and Novak Djokovic. As Serena he stuffs towels down is pants and shirt to mock her body and at the end does a booty shake… I felt the heat rise up my neck, but I thought watch the rest see what he does as Djokovic. Well, he proceeded to imitate his long ritualistic preparation to serve…hummm after seeing that I felt justified to feel offended. He (like a punk– sorry but that’s how I feel) went after her body and her race. I have never seen Serena bounce her booty on the court (now there was a video out there of her bouncing it in her hotel room but we don’t have to go there…) Why go for her body? Well I guess that’s because he couldn’t imitate her serve, and he CERTAINLY COULDN’T IMITATE HER WINS!!!  (the Williams sisters may hold their tongues but I certainly don’t have to) take a look…(I never really was a fan, but now I just think he’s an ass)

Reasons for men’s body image insecurities

We know that women aren’t the only ones with body image. Truth be told the standards are vastly different and more forgiving. When a man has a belly, it’s forgivable, when they bald, forgivable( or they go mister clean) when they grey and wrinkle they get more distinguished, women uh… Yes men dye their hair, and get Botox too, they get pectoral implants and workout like fiends just like women, however their viability does decrease the way a woman’s does. Men age and date women far younger then them and where we are beginning to see the dating habits of older women men to younger men increase to has also come with the derogatory term of “Cougar” as if they are “preying” on these young boys. Here is an article that outlines just how and why men feel insecure about the way they look:

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By Michelle Wilkinson

Men are just as susceptible to the pressure to look good as women, although maybe this pressure hasn’t been quite as evident in the past. In today’s society, though, men are expected to keep themselves in good condition; remaining slim and toned, dressing smartly and keeping themselves well-groomed. If men don’t happen to possess the ideal masculine body – tall, lean, and muscular – they could quite easily find themselves developing body insecurities because so much emphasis is placed on people’s appearance. They may well have a negative self-perception that affects their ability to form relationships due to the fact their confidence is so low.

As in the case of women, men develop body insecurities largely because of the influence the media has on attitudes towards appearance. The media continually portrays ‘masculine’ men as the ideal – these men are strong and fearless – yet, there is an added dimension since men are also expected to be sensitive and gentle these days. Men are expected to look like ‘real’ men so that they are tall and muscular, but to also take greater care of the way their overall appearance.

It seems that it is no longer acceptable for men to be hairy, as more and more decide to wax their chest, underarms and pubic hair. It has become more socially acceptable for men to be well-groomed, but in the process men who formerly didn’t feel the need to go out of their way to make an effort with their appearance are now feeling that they must do so in order to conform.
Indeed, men can be affected  by the people around them as much as they can by the images they see in the media, so that a harsh comment from a friend or relative can make men conscious of their supposed flaws and make them feel that they ought to do something to alter their appearance.

If a man has a bit of a beer belly the last thing he needs it to have it pointed out to him, as it simply makes him unhappy with his appearance. He might commit to going to the gym, giving up drink and eating healthily, which may not seem like such a bad thing, but nobody should be pressured into doing something they don’t really want to do, and decide to change themselves for someone else’s sake.

Men tend to encounter the same problems as women when it comes to their body image, with their height, weight, size of ears and nose all common sources of insecurity. The pressure on men to look good has reached a similar intensity to that experienced by women, as more and more products targeted at men have hit the market. It can be therefore be difficult for men to accept their bodies the way they are because they become convinced they are defined by their ‘imperfections’ which they then feel the need to work on.

Eighth Grader Gets Seventeen To Stop Photoshopping The Girls In Its Magazine

Eighth grader Julia Bluhm was tired of hearing her friends in ballet class complain about being fat, and knew that they were basing their self-conscious opinions on altered magazine images of themselves. So she started a petition asking Seventeen magazine to stop photoshopping the women in their pages. Julia asked for one unaltered image of a “regular girl” in every issue.

“For the sake of all the struggling girls all over America, who read Seventeen and think these fake images are what they should be, I’m stepping up,” Julia wrote. “I know how hurtful these photoshopped images can be. I’m a teenage girl, and I don’t like what I see. None of us do.”

This inspires me. The fact that a 12 year old girl not only has the presence of mind to know that something is wrong with girls her age complaining about being fat, and that they were creating their standard of beauty from the altered images of teen magazines shows that there is a growing awareness of the damage that can be caused by media and print. The greatest inspiration comes from the strength that it took for her to take action against it, and getting results in the form a Body Peace Treaty.

The Rest:

Today, with the petition at more than 81,000 signatures, Seventeen responded — and went even further than what Julia had requested. The magazine committed to Julia and organizers at SPARK a Movement to represent a range of women of all shapes and sizes in its magazine — every month, every model — without any photoshopping of their bodies (they will still be using photoshop to take wrinkles out of clothes and hide flyaway hairs):

Win! After over 84,000 people signed Julia’s petition and she and her fellow SPARK Summit activists hand-delivered the petitions to the executive editor of Seventeen, the magazine has made a commitment to not alter the body size or face shape of the girls and models in the magazine and to feature a diverse range of beauty in its pages.

Julia’s message to all her supporters: “Seventeen listened! They’re saying they won’t use photoshop to digitally alter their models! This is a huge victory, and I’m so unbelievably happy. Another petition is being started by SPARK activists Emma and Carina, targeting Teen Vogue and I will sign it. If we can be heard by one magazine, we can do it with another. We are sparking a change!”

As Julia notes, the fight isn’t over. While Seventeen has agreed, other teen magazines have not. Change.org has a petition up asking Teen Vogue to follow suit.

Please click on the link and sign the petition, let’s get this movement moving!

 

VEDA 22 asks Youtube hater: “Why does it hurt you if I don’t hate myself?”

Taylor Owen Ramsey sent me this and I was bowled over- the title of her email was “This is my new hero!!!”
So I opened it up and watched, and let me tell you I wanted to get up and cheer like it was the end of a feel good movie and the underdogs had won game, or the guy got the girl! THIS is where we are all striving to get to in our heads! Veda IS the embodiment of what My Body My Image is about Acceptance, Appreciation, and Respect! It is also about learning not to judge- by race, religion, gender, economics, or weight… She is totally awesome! Check out your girl!

Trueblood’s Tara has an Eating disorder…

“Seriously, three days old and she already has an eating disorder.”

Back story and possible Spoiler Alert (if you are way behind the times)

So Tara is a Vampire and pissed about it (ok so what’s new? She is the epitome of an angry black woman) she has always hated vampires so her current situation is untenable. So after trying to commit suicide by tanning, Pam her maker takes her in (as is the code) and tries to get her to feed on a live human… but she refuses, and that is Mama Pam’s response…


The Line is around 1:47…

Miss Representation – a Sundance Film– Join the Movement!!!

 

 

 

The documentary Miss Representation, by Jennifer Siebel Newsom, premiered at the 2011 Sundance Film Festival, and aired on OWN: Oprah Winfrey Network.

The film explores how the media’s misrepresentations of women have led to the underrepresentation of women in positions of power and influence.
For more information

Nora Ephron: Saying Goodbye to a Friend to My Mind

We lost a giant last week. When Writer, Director Nora Efron went home, there was an instant vacuum created.  I cannot remember exactly when Nora came in to my life, and isn’t that the way it is with great friends? It feels like there was never a time when they weren’t there.   Of course (just like everyone else) I saw When Harry Met Sally, Sleepless in Seattle You’ve got Mail but it was her writings that really resonated with me the most. Perhaps it was because I started this blog, or that I am starting to recognize the inevitable signs of aging… I can sense that in a few short years I will “feel bad about my neck” too, and as I search for the word or name of someone, or something once familiar, I worry that I too will “remember nothing” soon. When I picked up her books I felt like I was sitting down with the aunt that I wished I had and she was telling me that yes, shit is going to happen, but it’s also going to be fine and I am not alone.  She made me laugh, sometimes to myself, sometimes out loud on a bus, causing people to look at me, shift a bit or even change seats. Her honesty, her wit and humor took the edge off of whatever slightly depressing reality that faced her (and invariably you too).  I recall with great clarity the essay about hating her purse. She was writing my life. I can not tell you how many hours a year I spend changing purses from day to day in order match my daily wardrobe, I cannot the hours or dollars I’ve spent trying to find the “perfect” purse: the right size, with the right compartments, the perfect strap length and color. The perfect purse goes from day to evening, and is the perfect carry-on for travel. It’s a lot to ask but somehow I feel like it exists. In fact I feel like I will die trying to find it like it’s the holy grail of accessories. When Ephron wrote about her similar issue in an essay appropriately entitled “I Hate My Purse” we bonded. Reading her was like sitting with a good, wide girlfriend over coffee (or better yet a glass of wine) and kvetching.

 

For my best friend April’s birthday I got tickets to “Love, Loss, and What I Wore”. First let me say that this was a “make-up” birthday her actual day had been stressful and not at all what it should have been. So I bought these tickets thinking it would be a great girls night, make-up date. She loves fashion, and she was divorcing, it was perfect right? Now, April is always a hard sell, with her you never know, what you thought she might like could backfire and she will hate it. So I was on edge fearing failure…

Before the show we hit the ladies room, there was a queue out the door, when we looked over at the men’s room, it looked like a ghost town. As we made our into the theater we saw why, there were nothing but a sea of women and a few begrudging men who had been dragged their by their girlfriends or wives, (poor shlubs) The sight of all those women made me think that perhaps this was a bad idea (April and I are not Girl Power girls we are just sort of Amazon women women. I looked over at April and she was unreadable. When the cast took the stage I was nervous, but by the second monologue April was laughing and I knew we were good! We had the best time, afterwards she could hardly contain herself she was so happy, and I was so relieved. Nora Ephron had saved my life, my best friend’s make up birthday and gotten a whole theater of women to laugh at themselves, reflect on their lives and heal a little bit if only because they realized that they were not alone in all of those seemingly singular experiences.

 

After I finished I Feel Bad About My Neck I had a fantasy of meeting Nora Ephron and in an elevated version I would have dinner with her and we would become friends. I could call her and tell her that I just discovered the first sign that my neck was going south, the ring, my neck is like a tree you could read my age by it…

 

She would chuckle and say something witty like “I hope you can find a turtleneck bathing suit…”

 

But I guess that is not going to happen, she will have to from here, now, and forever more be a girlfriend to me in my mind. She left a great deal of herself to keep my company, guide me and make me long for more…

She will be missed but we are so much better fore her having been…


This explains ALOT!!! Her parents were on to something…

Artist Aging Artfully: Could Madonna Take a Lesson from Tina Turner and Cher?

 

Last Thursday evening I was enveloped in an unexpected round of cocktailing with some friends and the subject of the Madonna Breast Flashing came up. Now before I go any further let me explain the make up of our circle, there were 3 women above 35 years old and one gay man also above 35 (for accuracy sake let’s say you could round us up to the nearest ten, if you know what I mean). At any rate the discussion ended up being heated not just with a passion and conviction about age, and aging (what is “appropriate” or not), but also the question of what is “age” or “stature appropriate” for an Artist. You see we were all artist at the table, and we are all aging.

To tell you the truth I personally had not thought about how aging affects your artistry until this discussion. My relationship to my own body and its aging have in ways been forced upon me because of my hip issue, but then again, since retiring I have only fleeting desires to perform again. So for me the point is mostly moot.  What bothers me is the idea that if I wanted to, with my hip I “can’t” or rather I am unwilling to do what is required, make the sacrifices (both time wise and physically) to make that happen. (Now watch in 3 months I be announcing a “comeback”) So for me, where I do think twice about dressing appropriately for my age (Forever 21 is really just the name of the store and not a reality) I have never encountered the “age issue” as a performer. My long time friend (and birthday twin) Danni Gee who was sitting at the table (actually the person who dragged me, albeit quite willingly, into the Cocktail Klatch) does. After a long, illustrious career as a dancer (Philadanco, Alvin Ailey) she now has a rock band named  Suga Bush of which she is the lead singer. When the conversation went down the Avenue of “Madonna is too old and fierce to feel like she has to flash a boob to stay relevant” (the women’s perspective in the conversation) turned on to, “As a artist, how do you stay true to what you do and whom you are “Rocker” and age gracefully?” Row, Gee confessed that at times when onstage she wonders “Should I be doing this…this way…at my age?” as she whips her hair back and forth like Willow Smith

(Black girl hair note: It’s all Hers! Bloup!)(Gee Whippin’ it!)

 

The women at the table thought that the Madonna boob flash was her trying to be risqué, but like her young self, we thought that it looked desperate, “She is frickin’ Madonna! She’s really above that sort of thing, let Rihanna go there,” we said. We felt that perhaps she had succumb to the pressure that is inflicted upon women by society via the media, which includes the hyper-sexualization of the female body especially the young (very young) female body, and the precept that

you have to be “f#$kable” to be “attractive” –

or even on some level acknowledged period. This brought us to the comparison of Madonna to older (and still fierce) rock Diva’s Cher and of course the Honorable and always Edgy Tina Turner, neither of whom have had to flash their lady parts to hold their place in the industry or history. I know you are thinking that Cher does show her ass, and yes she did when wore the same sheer cat suit from her “Turn back Time” video (oh the irony) at an awards show a few years back but that doesn’t really count, that’s akin to you- at 35 -pulling out your senior prom dress to see if it still fits, and then wearing it to your reunion- honey if you could do it, you know you would.

(First time ’round)

Where Cher and Tina are both stateswomen in rock they, as people occupy opposite ends of the spectrum. Cher is a true grit rock chick, edgy, untamable, foul mouthed broad, who will go toe to toe with journalist, interviewer, or politician on any given day at any time. She strikes me as a “Just let me take my earring off” gal (not literally). She tells it like it is, she is quick with an authentic “f-off” With her you get the sincere feeling that she’s like that on stage, off and in her bathrobe. She has always been that way on stage and off. We love her for it, that’s her thing…

In the other hand in the early days Tina was known for her on stage persona, that wild, tigress growling out songs, and shaking what her mama gave her ripping it. But she off stage was more Anna May Bullock ducking Ike’s temper,  a sweet southern gal. When she made her comeback in the eighties that wild energy was sublimated into sexy elegance, an almost “You can look, and I know you want it, but you can’t touch it”.  She will still Roll it down a River and shake it in 6-inch heels and a micro mini sequin dress, but there are no “antics”, nothing that makes you feel like she is “trying”. Both she and Cher have  (as far as the fan’s eyes can see) had smooth transitions into what could be considered their third act. No embarrassing imbroglios to spin years later. I think most scandalous thing that has happened is that once upon a time Cher had a daughter and now she has a son.

 

From the outside looking in it appears that Tina and Cher seem to accept and embrace where they are in their lives. They do not seem to be chasing after: their youth, the glory of yester year, the searing, white hot spotlight, or what they were at their apex. Instead they seem to understand and respect the careers they had, and embrace the fact that they are aging and are shaping their careers as they move forward, tailoring to fit their maturity. Okay some of you will go directly to the fact that they have both had “work” done, as evidence that they are not quite “embracing” getting older, but I am not really talking about looks, but behavior, and they are in “show” business, women half their age have had work done. Let’s stay on track. What I am saying it that they aren’t trying to keep up with the “come ups” Because it seems that they realize that..

1) They can’t. The game moves too fast and what makes you viable in this generation, they have aged out of. Artistically they might be able to dust them but…

 

2) Because to try to keep up with the “come ups” would require them to look back because they are so far ahead of the newbies.

 

3) Most importantly- THEY DON’T HAVE TO. They are  Made Women.

 

I think that both Tina and Cher have come to comprehend the true concept of artistic sustainability. When you have had a certain type of career their will always be a waning, and then if you continue a shift. Generally you can still work, it will just be in a  different way, a lateral shift less up or down – and it stands to reason, their fan base (like them) is maturing, that is not to say that they can’t garner new, younger fans but the people who where there in their becoming are the ones that sustain them. There also comes a time when the rigors of touring become too great a price to pay for the roar of the crowd, when travel takes it’s toll, and when you can’t shake off a night of partying so easily, and because quite frankly you need sleep. It’s not that they roll up and die, they just shift a little to make it work for them and for their fans. So they adjust, do limited touring or just do “engagements” like Tina, or get a permanent home like Cher had for a while a Caesar’s in Vegas.  It might mean scaling back, and that’s okay. a litle absence make our hearts grow fonder….

That having been stated, I think that this is a very “Female” discussion. There are male rock stars who are over 50-60 years old who are still doing, the same show that made them legends, Mick Jagger is a prime example. But the difference is the foundation of their popularity, the music is first, not whether he is “F#@kable-( that plays a part)  the Rolling Stones is about the Music first. Though he is a sex symbol he has not been sexualized the way the women have been, though some women may still want to hit that, his sustainability is not reliant on his virility. His stage presence, and his appearance are a huge part his success and appeal, and he still looks great but he is not charged with looking good or continuing to wear skimpy outfit or dancing in heels while whipping his hair back an forth  (although he does has the moves because he is Jagger!) And of course in this society men get sexier with age, they get younger fans and girlfriends, while women in most instances are set out to pasture while their younger replacements gyrate on their graves.

 

This triad of female rockers have all flipped the aging script in their own ways, all have gotten better with time, and they like their male counterparts have even dated younger men, and all have gotten more appealing albeit in a different ways. For Cher and Tina it’s more than just “looking good for their age” but more their certainty of self, their groundedness and self -empowerment that makes them so attractive and respected today (no matter if you are a “fan” or not you have to tip your hat) and Madonna, the baby of the bunch has exhibited the same attributes although when she does things like purposely flashing her breast I get the sense that perhaps she does not yet own it fully. Her ego and her competitive nature make her forget who she is, and has her thinking that she has to annihilate Lady Gaga to exist, (although I thought her Express Yourself/Born This Way Mix was on point and deserved, some people need to be reminded). Tina and Cher own who they are, and what they have become, and you feel like they are all right with where they are, and what that means in their careers as well as their lives.

One gets the feeling that Madonna still feels unsettled, if not a bit resistant to this new older state of grace. I found it telling that her first tour back at the age of 53 she decides to put on a cheerleader costume and go back to high school. Her Daughter Lourdes is in High School…That was when I was like “ Houston we have a problem” Then she pulled the boob thing, not so very different from MIA giving the finger at the Super Bowl like a temperamental child (remember Madonna didn’t think that was cool). We all get that acting out is who Madonna is, she has always liked to F*@k with people’s perceptions and beliefs, hell she just like to F&@K with people. But when you are 53 and it’s 30 years later, are you still pulling the same types of shenanigans …shouldn’t they evolve and be reflective of your growth and maturity as a woman, mother and artist? Don’t your choices change right along with you? Hell what with all the Kabala, yoga, meditation and what not, you half expected her have totally evolved past the need for the orchestrated hijinks of her youth all together, and be focused solely on the music, the “art” not just about the art of creating a buzz, which she actually created- before there really was vehicle to support it (internet/gossip rags/ Entertainment talk shows) But then that is what Madonna does best, keep us guessing and shocking us, but perhaps not always in a “good” way. This round left me a bit disappointed…

I have no answer as to what the “proper” way for an artist to age is, I know that is extremely personal to the artist, and it should be totally their choice and everyone is not going to agree. I suppose that just like the art itself, there are things that you gravitate towards and things that you repudiate, for some there is elegance for others there is a Courtney Love sort of messiness (which I kinda dig because she is so consistent actually quite good at it. It’s a fierce couture hot mess) but the thing that we (the women at the table) were troubled most by was how much of a role society’s edicts (beauty, youth, and viability) seem to play when artistic women of a certain age, chart their third acts.

 

*Oh the gay man at the table thought that it was fabulous that she flashed her boob, because she is 53 and nobody wants to see it…Go Figure. We gave a collective sign SMH….