Category Archives: Uncategorized

Trueblood’s Tara has an Eating disorder…

“Seriously, three days old and she already has an eating disorder.”

Back story and possible Spoiler Alert (if you are way behind the times)

So Tara is a Vampire and pissed about it (ok so what’s new? She is the epitome of an angry black woman) she has always hated vampires so her current situation is untenable. So after trying to commit suicide by tanning, Pam her maker takes her in (as is the code) and tries to get her to feed on a live human… but she refuses, and that is Mama Pam’s response…


The Line is around 1:47…

Miss Representation – a Sundance Film– Join the Movement!!!

 

 

 

The documentary Miss Representation, by Jennifer Siebel Newsom, premiered at the 2011 Sundance Film Festival, and aired on OWN: Oprah Winfrey Network.

The film explores how the media’s misrepresentations of women have led to the underrepresentation of women in positions of power and influence.
For more information

Nora Ephron: Saying Goodbye to a Friend to My Mind

We lost a giant last week. When Writer, Director Nora Efron went home, there was an instant vacuum created.  I cannot remember exactly when Nora came in to my life, and isn’t that the way it is with great friends? It feels like there was never a time when they weren’t there.   Of course (just like everyone else) I saw When Harry Met Sally, Sleepless in Seattle You’ve got Mail but it was her writings that really resonated with me the most. Perhaps it was because I started this blog, or that I am starting to recognize the inevitable signs of aging… I can sense that in a few short years I will “feel bad about my neck” too, and as I search for the word or name of someone, or something once familiar, I worry that I too will “remember nothing” soon. When I picked up her books I felt like I was sitting down with the aunt that I wished I had and she was telling me that yes, shit is going to happen, but it’s also going to be fine and I am not alone.  She made me laugh, sometimes to myself, sometimes out loud on a bus, causing people to look at me, shift a bit or even change seats. Her honesty, her wit and humor took the edge off of whatever slightly depressing reality that faced her (and invariably you too).  I recall with great clarity the essay about hating her purse. She was writing my life. I can not tell you how many hours a year I spend changing purses from day to day in order match my daily wardrobe, I cannot the hours or dollars I’ve spent trying to find the “perfect” purse: the right size, with the right compartments, the perfect strap length and color. The perfect purse goes from day to evening, and is the perfect carry-on for travel. It’s a lot to ask but somehow I feel like it exists. In fact I feel like I will die trying to find it like it’s the holy grail of accessories. When Ephron wrote about her similar issue in an essay appropriately entitled “I Hate My Purse” we bonded. Reading her was like sitting with a good, wide girlfriend over coffee (or better yet a glass of wine) and kvetching.

 

For my best friend April’s birthday I got tickets to “Love, Loss, and What I Wore”. First let me say that this was a “make-up” birthday her actual day had been stressful and not at all what it should have been. So I bought these tickets thinking it would be a great girls night, make-up date. She loves fashion, and she was divorcing, it was perfect right? Now, April is always a hard sell, with her you never know, what you thought she might like could backfire and she will hate it. So I was on edge fearing failure…

Before the show we hit the ladies room, there was a queue out the door, when we looked over at the men’s room, it looked like a ghost town. As we made our into the theater we saw why, there were nothing but a sea of women and a few begrudging men who had been dragged their by their girlfriends or wives, (poor shlubs) The sight of all those women made me think that perhaps this was a bad idea (April and I are not Girl Power girls we are just sort of Amazon women women. I looked over at April and she was unreadable. When the cast took the stage I was nervous, but by the second monologue April was laughing and I knew we were good! We had the best time, afterwards she could hardly contain herself she was so happy, and I was so relieved. Nora Ephron had saved my life, my best friend’s make up birthday and gotten a whole theater of women to laugh at themselves, reflect on their lives and heal a little bit if only because they realized that they were not alone in all of those seemingly singular experiences.

 

After I finished I Feel Bad About My Neck I had a fantasy of meeting Nora Ephron and in an elevated version I would have dinner with her and we would become friends. I could call her and tell her that I just discovered the first sign that my neck was going south, the ring, my neck is like a tree you could read my age by it…

 

She would chuckle and say something witty like “I hope you can find a turtleneck bathing suit…”

 

But I guess that is not going to happen, she will have to from here, now, and forever more be a girlfriend to me in my mind. She left a great deal of herself to keep my company, guide me and make me long for more…

She will be missed but we are so much better fore her having been…


This explains ALOT!!! Her parents were on to something…

Artist Aging Artfully: Could Madonna Take a Lesson from Tina Turner and Cher?

 

Last Thursday evening I was enveloped in an unexpected round of cocktailing with some friends and the subject of the Madonna Breast Flashing came up. Now before I go any further let me explain the make up of our circle, there were 3 women above 35 years old and one gay man also above 35 (for accuracy sake let’s say you could round us up to the nearest ten, if you know what I mean). At any rate the discussion ended up being heated not just with a passion and conviction about age, and aging (what is “appropriate” or not), but also the question of what is “age” or “stature appropriate” for an Artist. You see we were all artist at the table, and we are all aging.

To tell you the truth I personally had not thought about how aging affects your artistry until this discussion. My relationship to my own body and its aging have in ways been forced upon me because of my hip issue, but then again, since retiring I have only fleeting desires to perform again. So for me the point is mostly moot.  What bothers me is the idea that if I wanted to, with my hip I “can’t” or rather I am unwilling to do what is required, make the sacrifices (both time wise and physically) to make that happen. (Now watch in 3 months I be announcing a “comeback”) So for me, where I do think twice about dressing appropriately for my age (Forever 21 is really just the name of the store and not a reality) I have never encountered the “age issue” as a performer. My long time friend (and birthday twin) Danni Gee who was sitting at the table (actually the person who dragged me, albeit quite willingly, into the Cocktail Klatch) does. After a long, illustrious career as a dancer (Philadanco, Alvin Ailey) she now has a rock band named  Suga Bush of which she is the lead singer. When the conversation went down the Avenue of “Madonna is too old and fierce to feel like she has to flash a boob to stay relevant” (the women’s perspective in the conversation) turned on to, “As a artist, how do you stay true to what you do and whom you are “Rocker” and age gracefully?” Row, Gee confessed that at times when onstage she wonders “Should I be doing this…this way…at my age?” as she whips her hair back and forth like Willow Smith

(Black girl hair note: It’s all Hers! Bloup!)(Gee Whippin’ it!)

 

The women at the table thought that the Madonna boob flash was her trying to be risqué, but like her young self, we thought that it looked desperate, “She is frickin’ Madonna! She’s really above that sort of thing, let Rihanna go there,” we said. We felt that perhaps she had succumb to the pressure that is inflicted upon women by society via the media, which includes the hyper-sexualization of the female body especially the young (very young) female body, and the precept that

you have to be “f#$kable” to be “attractive” –

or even on some level acknowledged period. This brought us to the comparison of Madonna to older (and still fierce) rock Diva’s Cher and of course the Honorable and always Edgy Tina Turner, neither of whom have had to flash their lady parts to hold their place in the industry or history. I know you are thinking that Cher does show her ass, and yes she did when wore the same sheer cat suit from her “Turn back Time” video (oh the irony) at an awards show a few years back but that doesn’t really count, that’s akin to you- at 35 -pulling out your senior prom dress to see if it still fits, and then wearing it to your reunion- honey if you could do it, you know you would.

(First time ’round)

Where Cher and Tina are both stateswomen in rock they, as people occupy opposite ends of the spectrum. Cher is a true grit rock chick, edgy, untamable, foul mouthed broad, who will go toe to toe with journalist, interviewer, or politician on any given day at any time. She strikes me as a “Just let me take my earring off” gal (not literally). She tells it like it is, she is quick with an authentic “f-off” With her you get the sincere feeling that she’s like that on stage, off and in her bathrobe. She has always been that way on stage and off. We love her for it, that’s her thing…

In the other hand in the early days Tina was known for her on stage persona, that wild, tigress growling out songs, and shaking what her mama gave her ripping it. But she off stage was more Anna May Bullock ducking Ike’s temper,  a sweet southern gal. When she made her comeback in the eighties that wild energy was sublimated into sexy elegance, an almost “You can look, and I know you want it, but you can’t touch it”.  She will still Roll it down a River and shake it in 6-inch heels and a micro mini sequin dress, but there are no “antics”, nothing that makes you feel like she is “trying”. Both she and Cher have  (as far as the fan’s eyes can see) had smooth transitions into what could be considered their third act. No embarrassing imbroglios to spin years later. I think most scandalous thing that has happened is that once upon a time Cher had a daughter and now she has a son.

 

From the outside looking in it appears that Tina and Cher seem to accept and embrace where they are in their lives. They do not seem to be chasing after: their youth, the glory of yester year, the searing, white hot spotlight, or what they were at their apex. Instead they seem to understand and respect the careers they had, and embrace the fact that they are aging and are shaping their careers as they move forward, tailoring to fit their maturity. Okay some of you will go directly to the fact that they have both had “work” done, as evidence that they are not quite “embracing” getting older, but I am not really talking about looks, but behavior, and they are in “show” business, women half their age have had work done. Let’s stay on track. What I am saying it that they aren’t trying to keep up with the “come ups” Because it seems that they realize that..

1) They can’t. The game moves too fast and what makes you viable in this generation, they have aged out of. Artistically they might be able to dust them but…

 

2) Because to try to keep up with the “come ups” would require them to look back because they are so far ahead of the newbies.

 

3) Most importantly- THEY DON’T HAVE TO. They are  Made Women.

 

I think that both Tina and Cher have come to comprehend the true concept of artistic sustainability. When you have had a certain type of career their will always be a waning, and then if you continue a shift. Generally you can still work, it will just be in a  different way, a lateral shift less up or down – and it stands to reason, their fan base (like them) is maturing, that is not to say that they can’t garner new, younger fans but the people who where there in their becoming are the ones that sustain them. There also comes a time when the rigors of touring become too great a price to pay for the roar of the crowd, when travel takes it’s toll, and when you can’t shake off a night of partying so easily, and because quite frankly you need sleep. It’s not that they roll up and die, they just shift a little to make it work for them and for their fans. So they adjust, do limited touring or just do “engagements” like Tina, or get a permanent home like Cher had for a while a Caesar’s in Vegas.  It might mean scaling back, and that’s okay. a litle absence make our hearts grow fonder….

That having been stated, I think that this is a very “Female” discussion. There are male rock stars who are over 50-60 years old who are still doing, the same show that made them legends, Mick Jagger is a prime example. But the difference is the foundation of their popularity, the music is first, not whether he is “F#@kable-( that plays a part)  the Rolling Stones is about the Music first. Though he is a sex symbol he has not been sexualized the way the women have been, though some women may still want to hit that, his sustainability is not reliant on his virility. His stage presence, and his appearance are a huge part his success and appeal, and he still looks great but he is not charged with looking good or continuing to wear skimpy outfit or dancing in heels while whipping his hair back an forth  (although he does has the moves because he is Jagger!) And of course in this society men get sexier with age, they get younger fans and girlfriends, while women in most instances are set out to pasture while their younger replacements gyrate on their graves.

 

This triad of female rockers have all flipped the aging script in their own ways, all have gotten better with time, and they like their male counterparts have even dated younger men, and all have gotten more appealing albeit in a different ways. For Cher and Tina it’s more than just “looking good for their age” but more their certainty of self, their groundedness and self -empowerment that makes them so attractive and respected today (no matter if you are a “fan” or not you have to tip your hat) and Madonna, the baby of the bunch has exhibited the same attributes although when she does things like purposely flashing her breast I get the sense that perhaps she does not yet own it fully. Her ego and her competitive nature make her forget who she is, and has her thinking that she has to annihilate Lady Gaga to exist, (although I thought her Express Yourself/Born This Way Mix was on point and deserved, some people need to be reminded). Tina and Cher own who they are, and what they have become, and you feel like they are all right with where they are, and what that means in their careers as well as their lives.

One gets the feeling that Madonna still feels unsettled, if not a bit resistant to this new older state of grace. I found it telling that her first tour back at the age of 53 she decides to put on a cheerleader costume and go back to high school. Her Daughter Lourdes is in High School…That was when I was like “ Houston we have a problem” Then she pulled the boob thing, not so very different from MIA giving the finger at the Super Bowl like a temperamental child (remember Madonna didn’t think that was cool). We all get that acting out is who Madonna is, she has always liked to F*@k with people’s perceptions and beliefs, hell she just like to F&@K with people. But when you are 53 and it’s 30 years later, are you still pulling the same types of shenanigans …shouldn’t they evolve and be reflective of your growth and maturity as a woman, mother and artist? Don’t your choices change right along with you? Hell what with all the Kabala, yoga, meditation and what not, you half expected her have totally evolved past the need for the orchestrated hijinks of her youth all together, and be focused solely on the music, the “art” not just about the art of creating a buzz, which she actually created- before there really was vehicle to support it (internet/gossip rags/ Entertainment talk shows) But then that is what Madonna does best, keep us guessing and shocking us, but perhaps not always in a “good” way. This round left me a bit disappointed…

I have no answer as to what the “proper” way for an artist to age is, I know that is extremely personal to the artist, and it should be totally their choice and everyone is not going to agree. I suppose that just like the art itself, there are things that you gravitate towards and things that you repudiate, for some there is elegance for others there is a Courtney Love sort of messiness (which I kinda dig because she is so consistent actually quite good at it. It’s a fierce couture hot mess) but the thing that we (the women at the table) were troubled most by was how much of a role society’s edicts (beauty, youth, and viability) seem to play when artistic women of a certain age, chart their third acts.

 

*Oh the gay man at the table thought that it was fabulous that she flashed her boob, because she is 53 and nobody wants to see it…Go Figure. We gave a collective sign SMH….

Amanda Seyfried is the face for the most expensive Face Cream in the World

Amanda Seyfried

Japanese skincare line Clé de Peau Beauté tapped the actress as their new spokesperson back on October…
but check this out they are planning to moisturizer, “La Creme,” retail for $13,000 for a crystal-encrusted 50 gram jar — Okay I’m like put that shit in a recycled Olay container and knock of what $12,900! What does it do? That’s more expensive than gold. So you are on a budget you say, did Suzy Orman DENY you because you can’t afford it? well here’s the good news, Barneys  sells a cheaper version of the cream for a mere $775 it’s still close to your monthly rent, but if you do go in for it you will be the dewiest homeless person in the shelter…

Seriously I need to know what is in it and what it does that makes it so frickin expensive? For those prices it should cure skin cancer or at least 100% prevent it…What is it just that bejeweled container?  It sounds outrageous to me but then again I am a part of the 99% so maybe that’s why I don’t comprehend.

Well Beyonce just bought Jay-Z a private jet for father’s day, so she could probably understand….It must be nice.

 

A Chat With Wendy Whelan (pt3)

The second half of our conversation just got better and better. Just to recap In the first 2 segments Wendy talked quite earnestly and in depth about the treatments for her scoliosis and how it formed her as a dancer. The best quote was her response to how she feels about her body she replied:

“I see my body as a work of art

She also revealed that during that intense time of treatment, for a year she had an eating disorder which she overcame when her teachers told her that she could not return to the school if she did not gain weight. Her love for dance was her healing, she realized that she would have to give up the “power play” of restricting her eating in order to dance. Here in part 3 I asked her if there is anything that she covets in terms of her body or ability. In her answer you get to see how balanced and healthy her relationship to her body is. No doubt that (like her body) her perspective was a journey to arrive at, but it’s reassuring to hear that it is possible! I was amazed that she has only had one major injury and that was later in her career. Later we talk about aging and how it is affecting her, and what will be the next stage, I ask her if she has the desire to choreograph and she used this  wonderful analogy of liking being an ingredient vs the  chef  she said :

“I am a developed ingredient”

you can hear and see the maturing of her relationship to her body as it was and is and what it is becoming as she matures. It is so positive and healthy.

Plus! She gives us the heads up on a new dance project!!! hear it here first!

 

 

This is what I love most about these Chats, I get into the artistic head of “The Whelan”..  This section is like a master class! Check it out!

She talks about her process in the studio and admits that she is “Slow” in studio. She tells us how she builds a role, the subtext that results in her projection, quality and the layered depth of the performances that she gives. She speaks of using imagery, sensations, abstract shapes and to create purpose in movements, these act as physical and mental landmarks when revisiting  the role. Fascinating!

 

I love her explanation of how that subtext grows through the rehearsal process to orchestra rehearsal, performance and how it blossoms year after year and how that foundation informs her roles as she goes back in to them year after year.  She shares that her learned this artistic process from Ballet Master Bart Cook  — see working great artist creates great artist! When she gets a chance to do a talk or to teach she tells students , to:

“Get a little crazy”

Her generosity is palpable, She’s a sharer! My final question came from Twitter follower Christopher McDaniel:

“How do you stay so humble?”

The answer you have to hear, it is probably one of the reasons she is so accomplished, well like and respected in her field, and why so many love her as an artist and a woman, We should all take heed of her words!!!!!

 

 

How To Smile More Freely

When you really think about it, smiling is one of the most complex functions of the human body. This is not to say that it’s overly difficult to bend your mouth upward, from a muscular perspective. Rather, it is a simple suggestion that more thoughts, emotions, and feelings are involved in smiling than we can really even comprehend, and sometimes we take it for granted. It is not as simple as smiling whenever you feel happy. You smile when you laugh, when something feels good, or even when you have a momentary boost of confidence or feel particularly good about yourself. Furthermore, there have been numerous medical studies to prove that smiling is actually extremely healthy for the body and mind. But what happens if you aren’t confident smiling?

Throughout just about any day – even a day that is a bad day for you personally – there are many reasons to smile, even if only for an instant. Yet it is fairly common for people to be uncomfortable smiling, and usually the reason has to do with their oral health or dental hygiene. Let’s face it: there are plenty of people out there with bad teeth, and bad teeth can lead to an unattractive smile, which can completely sap your confidence. This means that even when you feel happy, or confident, etc. throughout the day, you may resist the urge to smile, which leads to an awkward disconnect between emotions and reactions. This sort of thing can certainly throw you off a bit.

Fortunately, there are ways of avoiding this problem even if you have bad teeth. Bad teeth are unhealthy, unattractive, and occasionally painful, but they are by no means permanent. To start the process of fixing the problem, you may want to head to topdentists.com for some information on teeth cleaning, whitening, and general dental assistance.

Getting your teeth clean and healthy can be a longer process, but having them whitened can actually be very quick, and that is likely to have the biggest impact on your smiling confidence. There are numerous ways to whiten your teeth. Some people prefer to go to cosmetic dentists who perform somewhat expensive but very effective whitening procedures right in the office. Others prefer to purchase products in stores, most of which will whiten your teeth gradually over the course of a few weeks or months. Whatever the case, it can actually be surprisingly simple to make your teeth whiter and brighter, and therefore make your smile more attractive. Once you achieve this, you should be able to feel free and confident about smiling, and you can express your emotions all you want!

GMA Host Robin Roberts Drops Health Bombshell: Bone Marrow Disease

I have long been a fan of Good Morning America and especially of Robin Roberts. Her ebullient nature, her up for anything attitude are things that made my morning… I, as many of you have watched her go from a sports newscaster to being an all around interviewer, and journalist capable of handling heads of states as adroitly as sugar coated pop stars. In 2007 we watched as she gracefully shared the gravity of her diagnosis of breast cancer with the viewing audience, she took us with her for treatments, for the shaving of her head- which I really loved she looked great totally shorne… I remember it all…

Personally I breathed a sigh of relief when she “beat” it, and slowly over the 5 years the memory of her illness seemed to fade.. literally a thing of the past. She never missed a beat, she was on her game and on camera with that mega watt smile and jocular interaction with her co-hosts, it made us forget. Well Monday brought that all back  Roberts made the announcement that she was suffering from Bone Marrow Disease  or myelodysplastic syndrome(MDS ) which can be an effect of cancer treatment. It reminds me of the question I wrote about a while ago “Are we our Bodies?”
I think that this shows without a doubt that we are more our spirits…My Prayers are with you Ms. Roberts.
From Her Blog:

s many of you know, 5 years ago I beat breast cancer.  I’ve always been a fighter, and with all of your prayers and support, a winner.

Sometimes the treatment for cancer can cause other serious medical problems. Today, I want to let you know that I’ve been diagnosed with MDS or myelodysplastic syndrome.  It’s a disease of the blood and bone marrow and was once known as preleukemia.

My doctors tell me I’m going to beat this — and I know it’s true.

If you Google MDS, you may find some scary stuff, including statistics that my doctors insist don’t apply to me.  They say I’m younger and fitter than most people who confront this disease and will be cured.

Today, I will start what is known as pre-treatment -– chemotherapy in advance of a bone marrow transplant later this year. Bone marrow donors are scarce and particularly for African-American women.  I am very fortunate to have a sister who is an excellent match, and this greatly improves my chances for a cure.  As you know from my recent interview with Mark Zuckerberg, organ donation is vitally important. Many people don’t realize they can be bone marrow donors.  I encourage everyone to sign up on a donor registry like bethematch.org.

I received my MDS diagnosis on the very day that Good Morning America finally beat the Today Show for the first time in 16 years.  Talk about your highs and lows!  Then a few weeks ago, during a rather unpleasant procedure to extract bone marrow for testing, I received word that I would interview President Obama the next day. The combination of landing the biggest interview of my career and having a drill in my back reminds me that God only gives us what we can handle and that it helps to have a good sense of humor when we run smack into the absurdity of life.

Bottom line: I’ve been living with this diagnosis for awhile and will continue to anchor GMA.  I love what I do and the people with whom I do it.  Along with my faith, family and friends, all of you at ABC News give me the motivation and energy to face this challenge.

Going forward, it’s business as usual at GMA, which means I’ll be right here every day with George, Sam, Josh and Lara.  When I miss a day here or there, I’m fortunate that some very talented friends at ABC News will fill-in.  When I undergo the transplant later this year, I’ll miss a chunk of time.

When I faced breast cancer, your prayers and good wishes sustained me, gave me such hope and played a major role in my recovery.  In facing this new challenge, I ask humbly for more of your prayers and love – as I will keep you in my mine and update you regularly on my condition.

Love and blessings,

Robin

Trending: Breast Feeding What’s all the Drama About?

For some reason the most natural maternal act as become the controversy o’da day. Strange considering that it has been around for as long as man, well woman and child has. You know that we have gone left when the organic method of nurturing and bonding with your child as become a point of contention. Perhaps it is an American issue, there are countries where the culture and the economy has kept feeding one’s children from the source not only common, but is the only choice. It is not viewed as offensive whether done in private or in public, it is just –what you do when you baby is hungry, you whip out the tit. Perhaps because we as a country and culture have so many choices, and those choices drive the concepts of acceptability that we find ourselves in this type of predicament. Think about it, with the the number of working mothers, and single mothers the idea of actually being available for your newborn in order to breast feed has diminished, even in a failing economy when breastfeeding is free, in our culture, it can be viewed as an “inconvenience” or even an impossibility given they way that we as a culture function. It takes extra time, time away from your baby to pump your milk. The fact that when new mothers are in the hospital (even though they are taught to breastfeed) they are given formula as a parting gift- as an option I think speaks volumes. Modern mothers (not all, but a lot) just don’t have the luxury of being able to as much time with their babies. For most after a few weeks they are back to work. American women have to fight for a minimum of maternity leave. For instance in Canada they offer paid 55% up to $485/week for 50 weeks (15 weeks maternity + 35 weeks parental leave shared with father)In America we offer 0 weeks (CA: 6 weeks 55%, NJ 6 weeks 66%, WA 5 weeks $250/week possibly starting 10/2015; pregnancy treated as disability: HI 58%, NY 50%, RI formula.) Perhaps this is why we have things like “Attachment Parenting” popping up. Attachment Parenting encourages mothers to respond to their babies’ every cry and form close bonds with near-constant physical contact:  “co-sleeping” (letting them sleep in the bed with parents rather than in cribs) and “baby-wearing” (carrying them on slings instead of pushing them in strollers). This is the ideology which spawned the controversial Time Magazine cover of mother Jamie Lynne Grumet, breast feeding her 3 year old child who is standing in a chair.
Grumet says:
“People have to realize this is biologically normal,” she said, adding, “The more people see it, the more it’ll become normal in our culture. That’s what I’m hoping. I want people to see it.”
time magazine
True indeed, albeit I think that when a child has a learners permit to drive it might be time to ween but that’s just me. This concept of Attachment Parenting illustrates my point perfectly. Since when does a parent have to “attach”? There was a time, and there are places where this idea of being with, and bonding with your child does not need to be so… heavy handed. Ok I get that, but for how long is this supposed to be practiced? singer Alanis Morissette, 37 was quoted as saying:
“I breastfeed and I’ll be breastfeeding until my son is finished and he weans,”
Well, I guess the question then becomes, does a child ween themselves or do parents ween the child? Does that go for potty training as well? There is something to be said of forced- or let’s say “encouraged” independence or separation, because let’s face it, there will be a day when Mommy and Daddy will not be there and a child will certainly hear the words “No” or will have to wait. Flash forward to the first day at school. As an educator I just think this is a nightmare waiting to happen. A child that has been tended to at their whim, who’s every desire supplied on demand is going to have a harder time transitioning into a group environment with shared attention. My question is, when, and how in the attachment parenting paradigm does that kick in? To me the concept of Attachment Parenting idea is one of a privileged lifestyle (nothing wrong with that, just sayin’) the average American mother does not have the  luxury of that kind of time for that level of “devotion”.
But back to the subject at hand, breastfeeding. Now there are photos of military moms breastfeeding in uniform that have people (military folk) up in arms (well not literally in “arms”). Some think that is defiles the uniform… I think that it might be another version of don’t ask don’t tell. You might be a mother in the military but please don’t let us know that you breastfeed. Personally I don’t see the big deal, when it comes to breastfeeding it is the healthiest choice a mother can make but I do draw the line at your toasting your child’s graduation with your teat!
What are your thoughts?

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Natural Black Hair Portraits

 

I cut my hair a while back and in an effort to grow it back have been rocking the cornrow look for a couple of months now. When I found these amazing photos of Black woman with natural manes it made me want to unleash my Afro beast and once again walk on the wild side. I love to see pics like this because black women have long been plagued with mixed feelings and messages about their natural texture. In a time of the Yaki Silky extensions and front lace wigs it’s nice to see that a woman (White, Black, Asian or other) can be beautiful and sexy just as she was born. This is beauty God made!!

Hosted by Huffington Post

The natural hair revolution now has the stunning photos of Glenford Nunez.

Nunez, the 25-year-old Baltimore-based founder of TYP Photography Studio, is the man behind “The Coiffure Project,” a collection of portraits celebrating the beauty of black women and their magnificent natural hair.

Shot in both black-and-white and color, Nunez’s work is simple yet striking — and to think the project only started by accident.

Looking at the extensive collection of pictures he’d taken of his natural-haired assistant one day, Nunez decided to run with the idea of photographing curly maned black women.

Sounds like a brilliant idea when you consider the current trend toward natural hair. The New York Times has covered the movement, countless YouTube tutorials provide tips, and celebs like Solange Knowles and Viola Davis have become official and unofficial poster women for au naturel awesomeness.

Surprisingly, Nunez wasn’t hip to the growing number of black women embracing their curly manes — but he’s a guy, so we’ll give him some slack.

“I had no idea until I started putting the photos together,” Nunez told The Huffington Post. “People have thanked me for what I’m doing for natural hair and black women, but I genuinely had no idea. It’s a super awesome feeling though.”

So far Nunez has captured the bountiful beauty of 10 subjects and is on the lookout for more curly coiffed ladies to photograph.

“I find women just walking down the street, and I use models I’ve worked with in the past,” he said. “There’s always a certain essence and style I’m drawn to.”

Anyone who has second-guessed going natural — whether by slow transition or big chop — will definitely find reassurance, excitement and plenty of inspiration when looking at these beautiful images.